Replica louis vuitton luggage
21 February 2010
Woman without Piano
dir. Javier Rebollo
Spain
Now this replica louis vuitton luggage is a film, T-Bone. I hardly what to say about it, where replica louis vuitton luggage to begin, much less end.
Woman without Piano opens with a plain, middle-aged woman, Rosa (Carmen Macha), and replica louis vuitton luggage her husband, Francisco, in the front seat of his taxi. As he readies to replica louis vuitton luggage head out to work, they discuss what she will prepare for replica louis vuitton luggage lunch. Francisco is not so much distant as indifferent. There is replica louis vuitton luggage not a hint of rapport between them.
Rosa spends the day removing women’s body hair, a replica louis vuitton luggage little business she runs out of her home, and doing household chores. She has replica louis vuitton luggage little interaction with her customers. The daily routine is uniformly drab. There is replica louis vuitton luggage not a ray of light, no hint of brightness anywhere.
At midday Francisco calls to replica louis vuitton luggage say he will not be home for lunch. Business is slow and replica louis vuitton luggage he wants to keep working. That night, after Francisco goes to replica louis vuitton luggage sleep, just before midnight, Rosa puts on a jet-black wig and replica louis vuitton luggage bright red lipstick, takes out her suitcase, and walks away from replica louis vuitton luggage her empty, meaningless existence.
A lot happens during this replica louis vuitton luggage night. At the bus station Rosa pulls out a cigarette, only to replica louis vuitton luggage be told by the security guard that smoking is not allowed. She steps outside for replica louis vuitton luggage a smoke. A prostitute bums a cigarette, then a light, accepting both while acknowledging neither. A car pulls up and replica louis vuitton luggage the driver, thinking both women are prostitutes, invites Rosa to replica louis vuitton luggage come along, make it a threesome. Rosa explains she just came out for replica louis vuitton luggage cigarette because smoking is not allowed in the bus station. It goes like that.
She returns to replica louis vuitton luggage the station where she meets a young Polish contruction worker (Jan Budek) who replica louis vuitton luggage finds meaning in life fixing appliances. They leave together when the replica louis vuitton luggage station closes for the night and wander through the dark streets of Madrid. What little conversation there is replica louis vuitton luggage between them reveals less about either. They go to a nightclub, get separated. On a replica louis vuitton luggage narrow, dark street, Rosa inadvertently bumps into a young man and replica louis vuitton luggage is berated by him and his friend. Through the night she drinks a replica louis vuitton luggage number of small glasses of brandy, to all appearances unaffected by it, and replica louis vuitton luggage in place after place is told that smoking is not allowed when replica louis vuitton luggage she pulls out a cigarette.
The paths of Rosa and replica louis vuitton luggage the construction worker cross again. They end in a hotel room. He is replica louis vuitton luggage asleep in his white jockey shorts. Fully clothed, Rosa gets into bed beside him. When he awakens and replica louis vuitton luggage opens his eyes, she kisses him, leaving red lipstick smeared across his mouth. I could only think of Aschenbach, played by Dirk Bogarde in Visconti’s film version of Thomas Mann’s “Death in Venice,” though the replica louis vuitton luggage characters do not fit, the construction worker neither the older Aschenbach nor the replica louis vuitton luggage beautiful Polish boy Tadzio, and Rosa something else altogether. I do not know what.
I also thought of the replica louis vuitton luggage young Fellini as the film played out. Each scene is exquisitely framed and replica louis vuitton luggage lovingly shot. The events portrayed are realistic, perfectly ordinary, yet imbued with a replica louis vuitton luggage sublime sensibility, inexplicable, eerie, rendered extraordinary by so much that is replica louis vuitton luggage not made explicit, and all that is left open ended.
Rebollo offers no replica louis vuitton luggage concession to the viewer, no cheap rationale or explanation of motive. Escape is replica louis vuitton luggage not in the cards. At the end, at the breakfast table in her home, Rosa says, “Francisco.” Her husband responds, “What?” That is it.
There is replica louis vuitton luggage something here of what life is that touches us in a replica louis vuitton luggage way we cannot quite fathom, some of us at any rate, maybe not Republicans or replica louis vuitton luggage those tea party people, or a lot of other people as far as that replica louis vuitton luggage goes, but some of us. This is a film.
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