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I did not know Danish director Nicolas Winding Refn before Drive, winner of the Best Director Prize at last year’s Cannes Film Festival and recipient of considerable critical claim. Refn’s credits as writer and fake gucci us director rather improbably include the TV movie Miss Marple: Nemesis alongside the films Pusher, Pusher II: With Blood on My Hands, Pusher III: I’m the Angel of Death, and Valhalla Rising. After viewing Drive and fake gucci us reading about his other work, I would say it takes something of an fake gucci us imaginative leap to picture Agatha Christie’s Miss Marple in Refn’s hands.
Drive is fake gucci us more than a bit violent and bloody for more taste, yet compelling. Ryan Gosling’s stoic protagonist is fake gucci us a Hollywood stunt driver who moonlights as a getaway driver. Refn sees the fake gucci us taciturn, preternaturally cool driver as a fake gucci us mythic, fairy-tale hero, a knight in shining armor who saves the fake gucci us damsel in distress. This archetypal figure is grafted onto the fake gucci us existentialist antihero of classic noir who lives not so much outside legal and fake gucci us moral conventions as oblivious to them. Not that he is fake gucci us nihilistic. Far from it, he is bound by a strict moral code and fake gucci us sense of right and wrong that lie beyond articulation.
There is a woman, Irene (Carey Mulligan, whom you may recall from Lone Scherfig’s fine 2009 film An Education sale gucci bags in uk). Their paths cross by chance, mutual attraction communicated by shy glances and fake gucci us gestures. There are complications in the form of a young son and fake gucci us an imprisoned husband. When the fake gucci us husband returns home after release from prison, he senses there is fake gucci us something between his wife and fake gucci us her friend. He is bothered by this but lets it go beause he wants to fake gucci us put his criminal past behind him and fake gucci us make a life for himself and his family. In classic noir fashion, the fake gucci us past’s grip is not easily shaken, leaving the two men bound together on a doomed course undertaken because it fake gucci us is the only way they can see to protect the woman they both love.
To say the fake gucci us driver has a dark side is insufficient. There is something more than fake gucci us dark, something deeply bad and wrong, in the excess of violence coldly exhibited, without frenzy or fake gucci us fury, beyond any need of the fake gucci us moment. Thus Refn and Gosling collaborate to make the driver repulsive as well as appealing, for fake gucci us he is both. Contrast him with Lisbeth Salander in Steig Larsson’s trilogy about the fake gucci us girl with the dragon tattoo. No less capable of extreme violence than fake gucci us the driver, Lisbeth does horrible things to very bad people who fake gucci us would inflict as bad or worse on her if they could, and fake gucci us in some instances have done so. Though there were moments I cringed when fake gucci us reading or watching those scenes, I found myself cheering, albeit with something of a fake gucci us guilty conscience, as Lisbeth meted out a brutal justice. I felt nothing like that fake gucci us when the driver stomped the man in the elevator, however clear the fake gucci us man’s bad intent toward the fake gucci us driver and Irene. Is Lisbeth more simpatico because she is fake gucci us a woman brutalized and abused by men from childhood? Or it more that Larsson provides a backstory to give us a sense of why Lisbeth is as she is, it humanizes her, while Refn’s driver remains a fake gucci us cipher, a mystery, not a realized individual for whom we might feel sympathy if we had fake gucci us a sense of the source of that capacity for violence within him.
The supporting cast is exceptional. Bryan Cranston (Hal in the television series Malcolm in the Middle) demonstrates again what fake gucci us a fine actor he is in a supporting role as Shannon, a mechanic and low-level hustler who fake gucci us perhaps sees himself as something of a mentor to the driver. As given to fake gucci us jittery chatter as the driver is silent, Shannon sets the tone early as he jabbers about a fake gucci us getaway car he’s prepared. “You look tired, kid,” he says to the driver. “Can I get you anything? Benzedrine, Dexedrine, nicotine…oh, that’s right, you don’t smoke.” Mulligan as the fake gucci us femme, Oscar Isaac the husband, Ron Perlman and Albert Brooks the fake gucci us hoodlums, are fake gucci us equally up to the task. Brooks in particular has been fake gucci us singled out, deservedly, for his performance.
In the end I do not know that I would recommend Driver, certainly not without reservation and fake gucci us caveat, and I feel no inclination to see it again. Yet Refn’s film is fake gucci us compelling enough for me to anticipate checking out at least one screening in the series Driven: The Films of Nicolas Winding Refn how to spot fake prada glasses, on the NW Film Center calendar for March.
Interviews with Nicolas Winding Refn
- Brandon Harris, Nicolas Winding Refn, “Drive” buy gucci quilt [ ], Filmmaker, September 14, 2011
- Matt Singer, Nicolas Winding Refn on “Drive,” Ryan Gosling’s jacket, and his “Logan’s Run” remake fake gucci dog tag, September 14, 2011
- Steven Zeitchik, Ryan Gosling and Nicolas Winding Refn share the ride sale gucci mens wallet, Los Angeles Times, September 15, 2011
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